Yummy Jam
Joy, Enjoyment, Naturalness.
Concentration: Eau de Parfum
Fragrance Family: Gourmand
Top Notes: Bergamot, Cocoa, Coffee
Heart Notes: Koumalactone, Tonka Bean, Musk
Base Notes: Sandalwood, Jasmine, Vanilla, Burnt Sugar
Don’t hide pleasure, just perfume yourself because it can’t be seen.
What is pleasure if not a brief alteration of monotony. Pursued, forbidden, guilty or indulged. Constantly sought, rarely confessed, but always imagined. Fantasy or reality, give free rein to your will because you only have to press and this indulges you, allows you and provokes you. It is an adult pleasure in the form of perfume: hedonistic, lucid and without punishment.
Olfactive Dose That Awakens Pure Pleasure. Inhibition-Releaser Of Guilt.
Recommended Dose: 2 sprays after every meal. Guilt-free pleasure.
Cookie Monster:
Cookie Monster is a character who embodies joy and enjoyment in a very genuine and natural way. His unrestrained passion for cookies reflects pure
and authentic pleasure. The character represents that pure pleasure, that connection with simplicity and that enjoyment without restrictions.
Monegal ft. Caravaca
This series proposes a journey through different emotional states through a contemporary pop language. Each pictorial work represents an inner disposition — bravery, joy, connection, difference, confidence or pleasure — understood not as an abstract concept, but as a possible experience. The paintings are activated through perfumes conceived as sensory triggers. The scent does not accompany the image; it pierces through it. It acts as an invisible impulse that awakens memory, emotion and body, expanding perception beyond the visual. Image and aroma dialogue to invite the viewer to stop, breathe and experience. The work is not completed in the gaze, but in the lived experience. In a context of constant stimulation, the series proposes a pause: a space where feeling is also a way of understanding.
Miguel Caravaca (1979, Madrid) is a visual artist who usually works with acrylic paintings on canvas, generally in large formats. In a prophetic and visionary exercise, he brings ecclesiastical cult paintings closer to Hollywood, moves from punk to Greek tragedy or from Gothicism to the theatre of the absurd. In his world, it seems that anything can appear: bullfighters, princesses, couples kissing, flamenco dancers, royal guards, the Virgin of La Paloma, Rocky Balboa or Madame Butterfly. The work proposed by the artist is built on the search for sensations, aiming to ignite in the viewer the mechanism of aesthetic enjoyment by creating a space between the moment of sensory perception and that of the universal message of beauty.